Music for the Ballet Classroom

BalletBarreUnless you are the American Ballet School the likelihood of an instructor having live music in ballet class is slim.  So, most ballet instructors need to use recorded music.  On top of the music being recorded, many dance teachers use classical, which makes it difficult to keep the attention of any student, especially if they are under twelve years old.  Over the past eight years of teaching dance I have learned that if you use music that they can relate to in some way they are more likely to be interested in the class.

Children between the ages of three and seven have the attention span of two seconds.  Everything in the ballet classroom has to have a game like quality to it including the music.  For classes with these age groups I found that disney music or any child type films work best such as Shrek or Despicable Me.  The kids not only recognize the music, but they know the words to the songs.  For example, you can use “Can You Feel the Love Tonight” or “Beauty and the Beast” to do across the floor work such as turning or relevé walks.  For jumping or leaping type exercises you can use music such as “I Just Can’t Wait to Be King” from The Lion King or “Zero to Hero” from Hercules.

As dancers become older and hit between the ages of eight and twelve, continue to connect the music to something the students can relate to such as television shows.  In current pop culture there is Disney Channel’s Austin & Ally or Victorious (which is shown as reruns on Nickelodeon).  Either way there will be music from these shows that they can connect to.  As your students hit this age group you should start to introduce them to classical music, but in a relatable sense, such as music from the ballets such as Sleeping Beauty, Peter Pan, or Cinderella.  All of these ballets have music that is used in many of the classic films that children watch everyday.  Introducing them to classical music early will start to prepare them with what to expect if they decide to go to dance intensives or begin to do auditions.

Hitting the teenage years can be tough for most parents, but in dance classroom this age group can be the best.  I hope that if a teenager is taking dance classes they are serious about the art form in some capacity whether it is to do it professionally, go to college, or it is an activity they enjoy to do.  Either way this age group usually has a strong dance technique to work with as well as being more open minded to music and learning new movement.  I have found playing top 40s music or artists is the best way to reach these students whether it is instrument or with lyrics; I believe that either delivers the same results.  The Vitamin String Quartet does some great instrumental versions of popular songs such as “Fix You” by Coldplay or “Stolen” by Dashboard Confessional.  Not into strings there is also the Piano Tribute Players that take popular songs and turn them into piano versions such as “Chasing Cars” by Snow Patrol or “Don’t Stop Believing” by Journey.

Whatever music you chose for the ballet classroom make it relatable to the kids that you are teaching and be conscious of the age group.  Using the wrong type of music could turn a child away from dance because they find it boring or they just can’t connect to the class.  You need to give children a reason to fall in love with dance.  Use various resources to find music such as your nieces, nephews, cousins, or your friends who have children.  All those resources will be able to tell you what is popular with the kids today.  If all else fails go color and watch the disney channel; it will help you find that inner child.

Male Ballet Dancers Get A Bad Rep

January 22nd was the birthday of famed choreographer and founder of New York City Ballet – George Balanchine.  So, in honor of this amazing man I decided to get a little confrontational on a statement he once said.  “The ballet is a purely female thing; it is a woman, a garden of beautiful flowers, and man is the gardener.”  Balanchine, you are one of my idols in the dance world, but I believe this statement is a bunch of crap.  What about Mikhail Baryshnikov, Ethan Stiefel, Angel Corella, Robert Fairchild, and Justin Peck.   Are they not flowers with their smooth transitions, their immaculate turning capabilities, and the power houses each one of them becomes in any allegro?  Male ballet dancers get a bad rap for either being the “prop” or the “support system” for the female lead.  What really steams me the most is when a male chauvinist feels the need to tell their child that ballet is for girls.

I recently got in an argument with an eight year old (I know real mature) about ballet.  He said, “my dad told me that ballet is for girls.”  Of course being a ballet teacher I told him that his father was wrong and that ballet is for boys and girls.  Needless to say this argument went back and forth for awhile and I pretty much felt like I was arguing with a drunk person.  So, instead of continuing the insanity of fighting, I told him that I would show him some male ballet dancers next week.  I brought in my laptop and pulled up videos of Ethan Stiefel and Angel Corella and this kid was totally blown away.  When his dad came to pick him up from Jazz/ Tap class that day he was telling him all about Ethan Stiefel and that both boys and girls do ballet.

Ballet is not only an art form, but it gives anyone the ability to strengthen every muscle in their body including some that you didn’t even know existed.  The strength a male dancer has to have to carry a 100 pound ballerina twisted up, over their head, across the stage and make it look like it was nothing is not an easy task.  The strength needed to jump feet off the ground without having a trampoline.  The power and control needed to turn multiple times and then stop on a dime with nothing but gravity fighting your every turn.  Dear human population, the next time you feel the need to tell your son that ballet is for girls maybe you should go talk to a football player or better yet watch a video of a male ballet dancer and try to replicate the grace and precision he has in one tiny finger.

Emma Watson is currently fighting for women equality in the world, but I’m fighting for male equality in ballet.  I want to live in a world where a boy is not bulled for his love of dance.  I want to live in a world where a father doesn’t feel that sports are more masculine then ballet.  And I want to live in a world where a boy is educated by his parents to know that ballet welcomes any gender.  Mr. Balanchine you have brought so much to America in the ballet world, but to say that ballet is a female thing and that the male is gardener of the flowers means that the males never get to be the flowers and they are just as much the flowers as the female soloist.