Artists – The Debacle of Respect

Apple is one of the most innovative companies in the world.  Constantly creating the next new thing that everyone has to have.  So, when the announcement of Apple Music was to be launched I was a little surprised that they were so late in the game of streaming, which has undoubtedly continued to grow.  The thought of paying $10 a month to a streaming service and having unlimited access to thousands of songs is appealing, but in my opinion streaming is more of a discovery service than an actual income stream for artists.  The more I look at streaming, I use it to listen to new music to see if I like it.  If I like, I buy it.  So, should music artist really look at it as a revenue stream, or an audience building tool?

An article by Billboard Magazine discussed how in the first three months of its free streaming trial it would not pay artists for their music that was streamed (this is no longer the case).  The business aspect of this was ‘I’m not making money so why should I give you money?’  Needless to say, it created a big upheaval in the music world and Taylor Swift took it upon herself to be the voice of the artists.  She made a statement on her Tumblr – “This is not about me.  This about the new artist or band that has just released their first single and will not be paid for their success.  This is about the young songwriter who just got his or her first cut and thought royalties would get them out of debt.  This is about the producer who works tirelessly to innovate and create, but will not get paid for a quarter of a years worth of plays on his or her songs.”  Do you think this was all unselfish?  I think everyone, including the superstars in the industry had a right to be mad, but I still stand by my point that it shouldn’t be apart of the revenue budget, more like bonus income.  My question is was this whole thing a publicity stunt by Apple?  A company that is worth billions of dollars worried about paying artists for three months without a source of income from ONE revenue stream when they have numerous other ways to bring in money?

We all look at artists and think that it is a glamour field of money, fortune, and fame, but in reality it is a life struggle that these people had the courage to pursue a career that they loved rather than a career that makes bank.  Artists like Justin Timberlake and Taylor Swift are a small percentage that hit it big in the industry.  The Bureau of Labor Statistics states that in 2014 musicians/ singers made a median range of $23.50 per hour.  Now add in the cost of studio rentals, producers, songwriters, record labels, executives, managers, manufacturing, equipment, and touring and that is not a whole lot of money.  Every revenue stream counts for any artists.

The one thing that frustrates me about this whole debacle and pretty much any artist issue is that musicians are not the only artists out their trying to survive.  Dancers are in just as much struggle as the musician.  They have similar expenses such as studio rentals, tour costs, costumes, shoes, music licensing, management and development teams.  Also, there is only a select group in the public that has a passion for dance, and there isn’t as many revenue streams that can be tapped like the music industry.  Unlike the music industry where there is streaming, buying albums and individual songs.  Many dancers have to rely on a company for income (salary/ stipend for rehearsals and performances), or an agent getting them a temporary job on film, TV, a music tour, or Broadway.  There is also a ticking time bomb when you can no longer perform because your body just can’t.  Many dancers are involved in other revenue avenues like company contract work, select seasons on Broadway, sponsorship opportunities, teaching, and book writing on their endeavors in the industry.  Just like the music industry, there are dancers that are superstars and have made millions of dollars like Derek Hough or Mikhail Baryshnikov, but it took them years to get there.

According to the Bureau of Labor Statistics the median salary a dancer makes is $13.41/ hour or if you are a choreographer $21.28/ hour.   That is less than a musician/ singer.  Many dancers and choreographers are not on an annual salary because they work based on a contract and are only paid for certain aspects of their job such as rehearsals or performances.   Granted, many orchestra musicians are in the same predicament.  The amount of free projects that dancers get involved in is based on trying to network and meet new artists that could potentially hirer them. Isn’t that the same in the music industry?  You send out samples of your music to try and draw an audience, gather a fan base, and gain feedback from people you respect and admire.  I have personally lost count on how many free projects I have done like choreographing a piece for a fundraising event or driving three hours for a rehearsal for weeks on end and then performing it once or twice at a few festivals.  None of these opportunities I got paid.  Some were friends of mine, while others were endeavors that I fully supported like at risk youth and the arts.  Granted I had other sources of income like teaching ballet and working on the administrative side of the arts industry.

I think we all have to ask ourselves some hard questions – why are we creating art?  Why are we creating music?  Why do you dance or choreograph?  Would I feel this way if this was a hobby and not my livelihood?  I think that the general public looks at art as it is owed to them.  I see it constantly working on the administrative side of the business.  Your taxes dollars do not pay the nonprofit employee’s salary, nor does your tax dollars pay to take care of the art work or support the programming that happens in a dance company or art institution.  People have this thought process that the arts are a right not a privilege.  We are privileged that artists feel strongly about their work that they want to share it with us.  I look at artists as superheroes.  They are brave.  Laying everything they have out in the open for the public to be loved and criticized at the same time.  Apple took a risk.  Was it wrong – yes.  Should we respect artists for their work – absolutely.  The next time you hear someone on the subway stop and listen.  If you enjoy it use your Tumblr or Twitter and promote it.  Don’t steal work that belongs to others.  I think if artists want the industry to respect the art and the artist, it needs to start with the public respecting the art first.

“All I’m askin is for just a little respect…”

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What Makes A Hit Song?

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What makes a hit song?  For the past four days I have been listening to the hottest hits from the 80s, 90s, 00s, and today to try and see if any pattern emerged, but each decade had it’s own focus of popularity from 80s hair bands to 90s grunge, garage bands and boys bands to 00s pop/ punk artists.  What I discovered is that many producers and writers from past decades are still writing and producing hits for today’s artists and a lot of them have work with one another in some capacity; either producing on the same album or even on the same hit song.

First, you have Rodney “Darkchild” Jerkins.  He worked on Brandy and Monica’s ‘Boy is Mine’ in 1998, Destiny’s Child’s ‘Say My Name’ in 1999 as well as with Lady Gaga, Britney Spears, Janet and Michael Jackson, and most recently on Ariana Grande’s new album My Everything.  Another well-known producer and writer is Max Martin.  Think of the most popular pop songs from the 90s through today, Max Martin probably was involved as either a writer, producer, or both.  He worked on Ace of Base’s ‘I Saw the Sign,’ Britney Spears ‘Hit Me Baby One More Time‘ to today’s artists such as Maroon 5’s ‘One More Night‘ to Taylor Swift’s current hit ‘Blank Space.’  I have mostly touched on pop and R&B producers but what about rock?  Well, for Rock it seems that Desmond Child is your man.  He has worked with artist such as Aerosmith, Jon Bon Jovi, Chicago, Joan Jett, and KISS, but he also has crossed over into the pop genre with artists such as Katy Perry, Jesse McCarthy, and Ricky Martin (Click here for hit producer playlist).

I could continue to give you a list of other reputable producers that have helped created some of the most recognized music  of yesterday and today, but let’s switch back to my original question and that is “What Makes A Hit Song?”  What I have discovered is it is an artist’s team (artistic and business), how the mass public relates, and what is currently the popular genre in today’s youth.  The teenage years are when you start to find yourself, discover who you are as a person, extremely emotional, as well as being more open-minded to music.  The fans and the branding are what guides the success of the next superstar.

So, what about the artists that have an amazing sound, but don’t have a Billboard hit?  In the music industry, if you have become popular in America you have “made it” in the industry, but what about those bands that have an amazing sound and their lyrics are like poetry?  Mariana’s Trench is one of those bands.  They were signed to Cherrytree Records (associated with Interscope Records) in 2013.  Mariana’s Trench has a huge following in their home country (Canada) selling out arena tours, as well as become a multi-platnium and award winning artist, but in the United States they haven’t even touched the Billboard Charts as a band.  It should just be all about the music.  If you have great music then it should be recognized on all levels, in every country, but unfortunately that is not how business works.  It seems to come back to branding and building an image as well as how that image is perceived by the fans.  Continue to discover new music.  Check out other artists that your friends are listening to, and become a promotional fan for a new artist that you have created a passion for in music.

Check a Marianas Trench Playlist here, as well as other music lead singer and guitarist Josh Ramsey has done collaboratively written and produced with other artists.